Changelog

What's new

Each version and what it brought. Fixes worth noting are here too.

1.2 October 2, 2026

One layer per folder. Drop each camera's folder and the audio folder: each becomes a single layer with all its cards side by side, instead of one track per card. Drop a folder onto a layer to add another card to that camera. Tracks carry the folder name, in the app and in Resolve.
Bins in DaVinci Resolve. Resolve's XML importer ignores bins and leaves the media loose. The new Organize bins in Resolve item creates camera and card bins in the open project without touching the timelines. And Send to Resolve now imports organized.
Timecode without jam sync. On cameras with time-of-day clocks, which restart a few seconds off after each battery swap, timecode could knock out a correct audio match or place a clip seconds away from where it belongs. In those cases it now only confirms the time of day; sound decides the frame.
Files with the same name on different cards are no longer mistaken for a raw clip and its proxy: real takes were being left out.
Matches with a few seconds of overlap (slate against slate) no longer outvote matches with minutes of shared audio.
A camera that recorded without audio is reported by name instead of just showing up as out of sync.

1.1.1 September 15, 2026

New Export menu item: Open in Premiere Pro. Saves the XML where you choose and Premiere opens it right away, converting it into a new project with the synced timeline and media linked. The project is created next to the XML.
With more than one Premiere installed, the button uses the newest numbered version; the Beta only if it is the only one.

1.1 September 15, 2026

New Export menu item: Send to DaVinci Resolve. With Resolve open, the timeline is built inside the project you pick, at the Media Pool root: linked clips, one track per camera, recorders below, triage colors applied, project saved. No XML in between.
Poly-WAV recorders (MixPre, Zoom F-series) come out with each channel on its own track, named after the channel in the file.
Audio-calibrated timecode: on jam-synced shoots the engine measures whether the devices' TC agrees with the sound, then uses it to place clips with no shared audio, such as B-roll.
Source fixes: proxies (SUB, Proxy, PRXY) recognized, two-camera card structures with separate CLIP folders no longer merge the cameras, recorders identified by serial number.
License activation fixed (1.0.2 shipped without certificates) and Sincou --diagnostico in Terminal for support.
System requirement corrected: macOS 13 Ventura or newer.

1.0 August 21, 2026

Two-stage audio sync: an onset envelope to find the alignment and phase-correlation refinement to land on the millisecond.
Three-state triage (locked, review, out of sync), marked on the timeline and carried into the XML.
SMPTE timecode reading, drop-frame included, used to cross-check the audio result.
Clock drift detection between devices.
Ingest with verified copy, organization by date, job and camera, and a space check before the first byte is written.
A player that mixes the clips under the cursor in real time.
Export to FCP7 XML (Premiere and DaVinci Resolve), FCPXML (Final Cut), CSV and JSON.
A DaVinci Resolve script, installed under Workspace › Scripts, that syncs the open bin without leaving the program.
An option to match timecode across cameras so the editor's native multicam can group them, without touching the original files.
Interface in Portuguese and English, with light and dark themes.

Dates for future items are not a delivery promise.

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